Form & Function Rhinoplasty and Sinus Surgery, homeDr Chris Oosthuizen
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Comparing traditional and ultrasonic rhinoplasty

I use ultrasonic instruments for the bone work in every rhinoplasty I do. This is how they differ from traditional instruments, and what they do not change.

Traditional Rhinoplasty

Surgical Technique and Incisions:

Traditional rhinoplasty, a well-established surgical procedure, involves the skilled use of manual instruments like scalpels and bone chisels. The surgeon may choose either an external (open rhinoplasty) or internal (closed rhinoplasty) approach based on the specific requirements of the case. In most cases an open approach is the preferred option. During open rhinoplasty, an incision is made across the columella (the strip of skin between the nostrils), allowing for better visibility and access to the nasal structures.

Bone Manipulation and Reshaping

In traditional rhinoplasty, one of the primary goals is to reshape the nasal bones to achieve the desired aesthetic and functional outcomes. Surgeons often manually break and reposition the bones to correct issues such as a dorsal hump, deviated septum, or asymmetry. This method, while effective, can lead to more bruising and a potentially longer recovery period due to the trauma inflicted on the nasal tissues.

Precision and Skill

The success of traditional rhinoplasty heavily relies on the surgeon’s experience and skill. With tactile senses and visual judgment, the surgeon sculpts the nose to meet the patient’s expectations. The result depends on judgement about what to remove and what to leave, which is why two surgeons can do the same operation and get different noses.

Ultrasonic rhinoplasty

How the instruments work

An ultrasonic instrument shapes bone with controlled high-frequency vibration instead of a chisel or rasp. It cuts bone and leaves the soft tissue next to it largely alone, so the surgeon can sculpt the bones of the nose precisely and with much less force than a hammer and chisel need. That control is the reason I use it.

What changes for you

The nasal bones can be reshaped more precisely, and with less force through the surrounding tissues. I use ultrasonic instruments for the bone work in every rhinoplasty I do, so there is no choice for you to make between the two. Neither technique shortens the twelve months it takes for the shape to settle, and swelling and bruising still follow the operation.

What it does not change

The instrument does not decide the result. The result depends on my judgement about what to remove, what to keep and how to support the nose, as it does with any technique. Ultrasonic instruments are also a different matter from preservation rhinoplasty, which is a separate approach to the bridge of the nose and is explained on its own page.

Learning curve

Ultrasonic instruments take practice, and it is a different kind of practice from the chisel. I had to learn it. Whichever approach your surgeon uses, ask about their experience with it, and choose a specialist surgeon with a track record in the work they propose. A Fellow of the Royal Australasian College of Surgeons (FRACS) ENT surgeon is the standard to look for.

For how I use it in practice, see my page on ultrasonic rhinoplasty, or contact my rooms to arrange an appointment. More about the whole operation is on the rhinoplasty page, what recovery involves is on the recovery page, and fees and rebates are on the cost page.

Before and after

Patients whose main concern was the bridge of the nose, with the time since surgery stated on each photograph.

See the full before and after gallery

Engraved anatomical diagram of the cartilages of the nose seen from the side, showing the nasal bone, the lateral cartilage, the greater alar cartilage and the septal cartilage.
The nose is bone above and cartilage below, under a soft-tissue cover that varies in thickness from person to person. The join between bone and cartilage is where a bridge hump sits, and the lateral cartilage meeting the septum forms the narrowest part of the airway.Gray's Anatomy, 1918

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